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<span style="color: windowtext;">The troupe from Moscow performed in Tobolsk as part of the <i>Siberian Seasons in Tobolsk</i> project, implemented by SIBUR.</span>
</p>
<p>
<span style="color: windowtext;">The main and small stages of the Tobolsk Drama Theater featured 3 productions performed by the Stanislavsky Electrotheater. One of them, <i>This Is My Love...</i>, happens to be the directorial debut of actress Serafima Nizovskaya.</span>
</p>
<p>
<span style="color: windowtext;">The play’s genre was defined as that of a musical flair.</span>
</p>
<p>
<span style="color: windowtext;">At a café table, three women reflect on life and men and, inevitably, they sing. They sing the songs that had been imprinted into their psyches since the years of childhood and youth.</span>
</p>
<p>
<span style="color: windowtext;">The production of <i>The Cricket</i> was performed twice in front of local audiences. It is based on poems by Russian poet Mikhail Chevega who had reimagined the absurdist tales of Dutch writer Toon Tellegen and rewritten them as verse, transplanting them into the world of domestic cinema. The play’s aesthetics are truly captivating: its sets and costumes are executed in silvery-gray tones that echo monochrome film frames. There’s unending dynamism of movement and changing masks. It’s a bustle where no one stops to think about another person's feelings.</span>
</p>
<p>
<b><span style="color: windowtext;">Serafima Nizovskaya, actress:<br>
</span></b><i><span style="color: windowtext;">"Though somewhat worried about a few technical nuances, we had settled quite comfortably onto the Tobolsk stage. This play is a piece of trickery; its success depends on everyone’s concerted effort. That’s why we have to operate as one cohesive team, working in unison to make this work, which is why our entire crew takes the final curtain together with the top cast. We know this firsthand: even a minor error can make the whole thing fall apart."</span></i>
</p>
<p>
<b><span style="color: windowtext;">Natalia Polishchuk, a spectator:<br>
</span></b><i><span style="color: windowtext;">"The show made me feel as if I were in the nation’s capital. It is such an unorthodox and stylish production, incredibly great and driven. At one point I was even driven to shed some tears. It turns out that the matters it talks about feel personal, and it lays bare all our vices."</span></i>
</p>
<p>
<span style="color: windowtext;">The production of <i>These and K.S.</i> is a brainchild of actors Serafima Nizovskaya and Denis Burgazliev. It’s based on the set of rules for theatre conduct introduced by K. S. Stanislavsky. Excerpts from his <i>Ethics</i> are interwoven with the worldview poetry of Joseph Brodsky, the absurdist stories of Daniil Kharms, and the satirical lyricism of Sasha Chorny. The result is an organic meld of genres, eras, and events. The show’s creators felt that it was critical to dedicate the work not only to the author of <i>Ethics</i> but also to the geniuses of literature whose anniversaries are celebrated this year.</span>
</p>
<p>
<b><span style="color: windowtext;">Anton Kostochkin, actor:<br>
</span></b><i><span style="color: windowtext;">"The audience here is unlike anything else. What’s interesting is that some things that resonate with audiences in Moscow don't seem to work here, and vice versa. Everyone finds something of their own choosing. Tobolsk is a theatrical city. Many of our colleagues had performed here before, and the welcome we’re accorded is so genuinely warm that it makes you want to return."</span></i>
</p>
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The troupe from Moscow performed in Tobolsk as part of the Siberian Seasons in Tobolsk project, implemented by SIBUR.
The main and small stages of the Tobolsk Drama Theater featured 3 productions performed by the Stanislavsky Electrotheater. One of them, This Is My Love..., happens to be the directorial debut of actress Serafima Nizovskaya.
The play’s genre was defined as that of a musical flair.
At a café table, three women reflect on life and men and, inevitably, they sing. They sing the songs that had been imprinted into their psyches since the years of childhood and youth.
The production of The Cricket was performed twice in front of local audiences. It is based on poems by Russian poet Mikhail Chevega who had reimagined the absurdist tales of Dutch writer Toon Tellegen and rewritten them as verse, transplanting them into the world of domestic cinema. The play’s aesthetics are truly captivating: its sets and costumes are executed in silvery-gray tones that echo monochrome film frames. There’s unending dynamism of movement and changing masks. It’s a bustle where no one stops to think about another person's feelings.
Serafima Nizovskaya, actress:
"Though somewhat worried about a few technical nuances, we had settled quite comfortably onto the Tobolsk stage. This play is a piece of trickery; its success depends on everyone’s concerted effort. That’s why we have to operate as one cohesive team, working in unison to make this work, which is why our entire crew takes the final curtain together with the top cast. We know this firsthand: even a minor error can make the whole thing fall apart."
Natalia Polishchuk, a spectator:
"The show made me feel as if I were in the nation’s capital. It is such an unorthodox and stylish production, incredibly great and driven. At one point I was even driven to shed some tears. It turns out that the matters it talks about feel personal, and it lays bare all our vices."
The production of These and K.S. is a brainchild of actors Serafima Nizovskaya and Denis Burgazliev. It’s based on the set of rules for theatre conduct introduced by K. S. Stanislavsky. Excerpts from his Ethics are interwoven with the worldview poetry of Joseph Brodsky, the absurdist stories of Daniil Kharms, and the satirical lyricism of Sasha Chorny. The result is an organic meld of genres, eras, and events. The show’s creators felt that it was critical to dedicate the work not only to the author of Ethics but also to the geniuses of literature whose anniversaries are celebrated this year.
Anton Kostochkin, actor:
"The audience here is unlike anything else. What’s interesting is that some things that resonate with audiences in Moscow don't seem to work here, and vice versa. Everyone finds something of their own choosing. Tobolsk is a theatrical city. Many of our colleagues had performed here before, and the welcome we’re accorded is so genuinely warm that it makes you want to return."
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The troupe from Moscow performed in Tobolsk as part of the Siberian Seasons in Tobolsk project, implemented by SIBUR.
The main and small stages of the Tobolsk Drama Theater featured 3 productions performed by the Stanislavsky Electrotheater. One of them, This Is My Love..., happens to be the directorial debut of actress Serafima Nizovskaya.
The play’s genre was defined as that of a musical flair.
At a café table, three women reflect on life and men and, inevitably, they sing. They sing the songs that had been imprinted into their psyches since the years of childhood and youth.
The production of The Cricket was performed twice in front of local audiences. It is based on poems by Russian poet Mikhail Chevega who had reimagined the absurdist tales of Dutch writer Toon Tellegen and rewritten them as verse, transplanting them into the world of domestic cinema. The play’s aesthetics are truly captivating: its sets and costumes are executed in silvery-gray tones that echo monochrome film frames. There’s unending dynamism of movement and changing masks. It’s a bustle where no one stops to think about another person's feelings.
Serafima Nizovskaya, actress:
"Though somewhat worried about a few technical nuances, we had settled quite comfortably onto the Tobolsk stage. This play is a piece of trickery; its success depends on everyone’s concerted effort. That’s why we have to operate as one cohesive team, working in unison to make this work, which is why our entire crew takes the final curtain together with the top cast. We know this firsthand: even a minor error can make the whole thing fall apart."
Natalia Polishchuk, a spectator:
"The show made me feel as if I were in the nation’s capital. It is such an unorthodox and stylish production, incredibly great and driven. At one point I was even driven to shed some tears. It turns out that the matters it talks about feel personal, and it lays bare all our vices."
The production of These and K.S. is a brainchild of actors Serafima Nizovskaya and Denis Burgazliev. It’s based on the set of rules for theatre conduct introduced by K. S. Stanislavsky. Excerpts from his Ethics are interwoven with the worldview poetry of Joseph Brodsky, the absurdist stories of Daniil Kharms, and the satirical lyricism of Sasha Chorny. The result is an organic meld of genres, eras, and events. The show’s creators felt that it was critical to dedicate the work not only to the author of Ethics but also to the geniuses of literature whose anniversaries are celebrated this year.
Anton Kostochkin, actor:
"The audience here is unlike anything else. What’s interesting is that some things that resonate with audiences in Moscow don't seem to work here, and vice versa. Everyone finds something of their own choosing. Tobolsk is a theatrical city. Many of our colleagues had performed here before, and the welcome we’re accorded is so genuinely warm that it makes you want to return."
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